SKU: 13828801376
bass enhancer pedal

bass enhancer pedal Trickfish Amplification VCA Compressor Bass Pedal Grey

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Description

bass enhancer pedal Trickfish Amplification VCA Compressor Bass Pedal GreyBLENDABLE SIGNAL FAST AND ACCURATE LED SHOWS INPUT GAIN LEVEL DYNAMIC AND MUSICAL FREE SHIPPING IN THE USA EXPERT TECHNICAL SUPPORT IN STOCK MEANS IN STOCK DESCRIPTION Compressors pretty much fall into two camps: Those compressors which give you every single control, very similar to what you'll find in the studio, that let you perfectly dial in the exact type and amount of compression that you want. There are also compressors that have very limited

BLENDABLE SIGNAL

FAST AND ACCURATE

LED SHOWS INPUT GAIN LEVEL

DYNAMIC AND MUSICAL

 

FREE SHIPPING IN THE USA
EXPERT TECHNICAL SUPPORT
IN STOCK MEANS IN STOCK

DESCRIPTION

Compressors pretty much fall into two camps: Those compressors which give you every single control, very similar to what you'll find in the studio, that let you perfectly dial in the exact type and amount of compression that you want. There are also compressors that have very limited options but get the job done.

The Trickfish VCA compressor sits in a very comfortable middle ground, because it gives you plenty of control over your compression without making it overly complicated. Trickfish's goal was to provide a pedal board friendly take on the transparent and accurate studio compression they love. They settled on a VCA (voltage-controlled amplifier) design with a smart and simple set of controls over the crucial compression parameters.

The four-knob layout gives you everything you need: Threshold sets the level at which the compressor engages, Ratio adjusts how aggressively the gain is reduced, Level adjusts the overall output, and Blend sweeps between wet and dry signals for parallel compression. This blend control is particularly valuable for bass, allowing you to maintain your natural attack while still getting the benefits of compression. This helps control dynamics without losing punch.

The LED gain reduction meter provides visual feedback on how much compression is happening, which is incredibly helpful when dialing in your sound. This is particularly useful in loud stage environments where it can be difficult to hear subtle differences in compression settings.

The VCA topology is known for its transparency and fast response, making it ideal for bass applications where you want to control dynamics without coloring your tone. The Trickfish VCA delivers this classic compression character while keeping the controls simple and intuitive.

Built in a steel chassis measuring 5.08" x 2.72" x 2.29", the pedal weighs just under a pound and features removable adhesive-backed rubber feet. It runs on standard 9V DC center-negative power, drawing only 35.8mA, and top mounted jacks that make it pedalboard-friendly. The true bypass footswitch ensures your signal remains pristine when the compressor is disengaged.

Whether you're looking for subtle dynamic control or more aggressive compression for a punchy sound, the Trickfish VCA Compressor delivers it all in an easy-to-use package.

From Trickfish

The VCA Compressor pedal was born out of Trickfish's desire to offer a compressor pedal that threads the needle between the transparent and accurate studio compression they love, and the tonal enhancement (aka magic sauce) that we all love in certain vintage compressors or beloved compressor pedals on the market.

Trickfish's goal was to create a highly flexible, super accurate, and, most importantly, fantastic-sounding compressor pedal. They settled on a VCA (voltage-controlled amplifier) design with a smart and simple set of controls over the crucial compression parameters.

TECH & SPEC

Size (Including Knobs):
5.08" [129.7 mm] High
2.72" [69 mm] Wide
2.29" [58.2 mm] to 1.96" [49.9 mm] Deep

Weight: .98 Lbs. [.45 Kg]

Power Requirements: 9V DC (center pin negative)

Power Consumption: 35.8 mA

Chassis: Steel

Removable Rubber Feet: Adhesive backed

VCA Compressor User Manual



FEATURES

OUT: 1/4” phone jack output

DC IN: 9V DC power input, center pin negative

IN: 1/4” phone jack input

THRESHOLD: Sets the level at which the compressor engages

LEVEL: Adjusts the overall output level

RATIO: Adjusts how aggressive the gain is reduced

BLEND: Sweeps between wet/dry levels

ON: Footswitch toggles effect on/bypass

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SKU: 13828801376

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4.3 ★★★★★
Based on 21 reviews
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Product Reviews
P
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pepe
Belleville, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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Reviewed in the United States on February 5, 2013
C
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Charles H. Hooker Jr.
Louisville, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
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Donald Walker
Pawtucket, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012
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Judith R. Hert
West Palm Beach, US
★★★★★ 5
Wise and Complete
Format: Paperback
I've read a lot of books, too many, on creativity, and this is by far the best, the most complete, the most interesting. The idea that creativity comes out of immersion in a domain or field seems absolutely right and the idea missed by so many other writers. I'm a writer and a painter and I've learned that I'm not going to be any better than the work I've come to know and love, that I have to live in that work. If you want to be a better string player, play with a better ensemble. In many ways a creative person is someone who is in a conversation with what has come before, with work that excites her, teaches her, challenges her. This book makes that plain. But he has other insights as well, especially about the creative personality, the interesting dichotomies. Just read the book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 22, 2015
C
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Common Arts Farm
San Leandro, US
★★★★★ 4
Creativity which has the power to change the world
A few caveats to those who are generally interested in creativity studies: Csikszentmihalyi's analysis and discussion of creativity does not directly relate to those who are personally creative. People who enjoy engaging in creative activities are not demoted, in his terms, but are simply not a part of the study. It is unfortunate that his language makes it seem this way; he distinguishes between the two by saying that Creativity has the power to shape a domain or the world, while creativity applies to those who enjoy coming up with new recipes, who are engaged in research that may not change a domain, but may "tweak" it, etc. What he is trying to discover are the underlying principles and traits of creativity in those whose work has made a significant change. Think Albert Einstein, Eleanor Roosevelt, Mark Strand: people who are either widely known for their influence, or who have been influential within their area or domain. This book provides an interesting view into the minds and work habits of Creative individuals, and concludes by offering general advice to those who wish to make their own lives and work more creative. It is a useful book, but one which requires a great deal of supplemental reading, in order to truly engage in creativity studies.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 29, 2003

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